Source: HINDUSTAN TIMES
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Manuscripts of Bhagavad Gita & Bharata Natyashastra have been added to UNESCO Memory of World Register 2025 celebrating Indian ancient intellectual & artistic legacy.
Aspect |
Details |
Recognition Year |
2025 |
Announced by |
UNESCO under its Memory of World (MoW) Programme |
Nominated by |
Ministry of Culture, Government of India |
Custodian Institutions |
Bhandarkar Oriental Research Institute (BORI), Pune |
Category of Recognition |
Documentary Heritage of World Significance |
Manuscripts Recognized |
Bhagavad Gita (from Mahabharata) Natyashastra by Bharata Muni |
Script & Language |
Sanskrit |
Written in ancient Devanagari & Grantha scripts |
|
Material Form |
Palm-leaf & paper manuscripts, dating back several centuries |
Why Bhagavad Gita? |
Philosophical text attributed to Vyasa Part of Mahabharata (Bhishma Parva) Discusses core themes of Dharma (duty), Karma (action), Bhakti (devotion) & Jnana (knowledge) Influential on world leaders like Mahatma Gandhi, Sri Aurobindo & many philosophers worldwide Translated into over 100 languages worldwide |
Why Natyashastra? |
Authored by Bharata Muni (~2nd century BCE to 2nd century CE) First comprehensive treatise on performing arts includes dance (Natya), drama, music & aesthetics Introduced concept of Rasa (emotional flavor in performance) which is central to Indian classical arts Influenced Indian performing arts for over 2000 years laying foundation for classical Indian dance & theater |
Significance of Inclusion |
Showcases India’s ancient intellectual & cultural traditions Enhances global recognition of Indian texts in performing arts & philosophy Boosts documentation, preservation & digitisation efforts |
UNESCO MoW Programme |
Launched in 1992 Aims to protect & promote world’s most valuable archival & library heritage India has 5+ entries now including Rigveda manuscripts & Saiva Siddhanta manuscripts |
Tradition & Attribution The Bhagavad Gita is traditionally attributed to sage Vyasa & is a part of Mahabharata specifically in Bhishma Parva. It is considered one of most significant philosophical texts in world literature.
Structure & Composition The Bhagavad Gita comprises 700 verses divided into 18 chapters with a philosophical dialogue between warrior Arjuna & his charioteer Lord Krishna. It addresses Arjuna moral dilemma before great battle of Kurukshetra wherein Krishna imparts divine wisdom.
Philosophical Themes
Dharma (duty) Arjuna is advised on his duty as a warrior a central concept in Hindu ethics.
Karma (action) The idea that actions should be performed without attachment to results promoting a path to liberation.
Bhakti (devotion) Emphasis on surrendering to God through devotion as a means to attain spiritual wisdom.
Jnana (knowledge) The pursuit of spiritual wisdom & self-realization through philosophical understanding.
Historical Significance The Bhagavad Gita synthesizes philosophies of Vedas, Upanishads & other systems like Buddhism & Jainism.
It became a guide for various leaders most notably Mahatma Gandhi who described Gita as his spiritual dictionary.
Global Impact Translated into over 100 languages Bhagavad Gita has influenced global leaders, philosophers & thinkers including Aurobindo, Einstein & Carl Jung due to its profound spiritual & philosophical insights.
Authorship & Historical Context The Natyashastra is attributed to sage Bharata Muni a scholar of ancient Indian performing arts. It is believed to have been composed between 500 BCE & 500 CE though UNESCO cites 2nd century BCE as most likely period for its compilation.
Content & Scope The Natyashastra is a treatise of around 36,000 verses covering a wide range of topics related to drama (Natya), performance (Abhinaya), music (Sangita), emotions (Bhava) & aesthetic experience (Rasa).
It serves as foundation of classical Indian dance, drama & theatre detailing performance techniques, staging & emotional connection between performer & audience.
Key Concept Rasa Natyashastra introduces concept of Rasa which refers to emotional flavor that a performance conveys to audience.
This is a critical concept in classical Indian arts where performer creates an emotional connection that transcends imitation of real-life emotions. Rasa is considered essence of all dramatic art forms.
Bharata Muni emphasized that no meaning can blossom forth without Rasa making it central to all forms of artistic expression.
Influence on Indian Classical Arts The Natyashastra has had a profound influence on Indian classical dance forms (like Bharatanatyam, Kathak, Odissi, etc.) & drama. It provides theoretical basis for structure & performance of these arts & has influenced generations of artists & performers for over two millennia.
Global Influence The ideas & concepts introduced in Natyashastra especially theory of Rasa have influenced modern Western theories of aesthetics & performance.
Scholars worldwide have drawn parallels between Natyashastra treatment of emotions in art & similar aesthetic theories in European drama & theater.
Why is Recognition Important?
Global Recognition The inclusion of Bhagavad Gita & Natyashastra in UNESCO Memory of World Register places them alongside other globally significant works ensuring that their cultural & intellectual value is acknowledged worldwide.
Preservation & Digitization The recognition ensures that efforts to preserve & digitize these invaluable texts will continue. It provides momentum for ongoing efforts to protect ancient manuscripts & heritage from degradation over time.
Cultural & Philosophical Significance Both texts offer profound insights into Indian philosophy, aesthetics & culture. They hold immense value not only for India but also for global audiences seeking to understand human emotions, nature of life & ethical principles governing action & duty.
Global Access With inclusion of Bhagavad Gita & Natyashastra in UNESCO register both texts are expected to receive heightened global visibility. This could lead to more academic collaborations & deeper intercultural exchanges between scholars & artists worldwide.
Inspiration for Future Generations These texts continue to inspire new generations of thinkers, artists & philosophers. By securing their place in MoW Register India ensures that these timeless works will be available for future scholarship & public engagement.
Category |
Details |
Establishment |
1992 by UNESCO |
Purpose |
To preserve & promote access to world’s documentary heritage that is of outstanding significance to humanity |
Administered by |
UNESCO Memory of World Programme & International Advisory Committee (IAC) |
Key Objective |
Prevent collective amnesia |
Types of Recognized Materials |
Manuscripts, oral traditions, audio-visual material, maps, books, music scores, archival documents, films & digital content |
Evaluation Criteria |
World significance |
Nomination Process |
Submitted by Member States, NGOs or heritage institutions; evaluated by experts appointed by IAC |
Register Levels |
International Register (Global significance) |
Benefits of Inclusion |
Recognition of historical & cultural value |
UNESCO Support |
Grants & partnerships |
Indian Coordination |
Ministry of Culture & National Archives of India |
Global Examples |
Gutenberg Bible (Germany) |
India’s First Entry |
Rigveda manuscripts (2007) preserved in Bhandarkar Oriental Research Institute |
Recent Focus Areas |
Digitization of rare manuscripts |
MoW Emblem |
A stylized open book with a globe symbolizing access & preservation of knowledge for all |
Criticism / Challenges |
Lack of funding for developing nations |
2025 Theme (Aligned with WMO) |
Closing Early Warning Gap Together (for relevant meteorological data archives) |
Year of Inscription |
Entry Title |
Custodian / Institution |
Brief Description & Significance |
2007 |
Rigveda Manuscripts |
Bhandarkar Oriental Research Institute (BORI), Pune |
Oldest of Vedas this collection of over 30 manuscripts is written in Devanagari & Sharada scripts. It is a cornerstone of Vedic & Sanskrit literature. |
2011 |
Archives of Dutch East India Company (VOC) (Shared entry) |
National Archives of India (NIA), New Delhi (in partnership with Netherlands, Indonesia, Sri Lanka, South Africa) |
The VOC archives in India document early Dutch colonial & trading activities from 1602–1800. |
2013 |
Gilgit Manuscripts |
National Archives of India (NIA), New Delhi |
These 5th–6th century CE Buddhist manuscripts are among oldest surviving manuscripts in India & provide insights into Mahayana Buddhism. |
2017 |
Abdul Rahim Khan-i-Khanan Manuscripts |
Archaeological Survey of India (ASI) |
These Persian & Arabic manuscripts belong to Rahim a noble in Akbar court renowned for his poetry & translation of scientific texts. |
2017 |
Saṅgīta Ratnākara Manuscript of Śārṅgadeva |
Bharat Itihas Sanshodhak Mandal, Pune |
A 13th-century treatise on classical Indian music & dance that laid foundations of Hindustani & Carnatic traditions. |
2017 |
Saṅgīta-Ratnākara Manuscript of Śārṅgadeva (duplicate under different institution) |
Maharaja Serfoji’s Sarasvati Mahal Library, Thanjavur |
Another version of Śārṅgadeva seminal work preserved under royal patronage of Thanjavur Marathas. |
2017 |
Manuscript Collection of Raza Library, Rampur |
Rampur Raza Library, Uttar Pradesh |
Contains rare Persian, Arabic, Urdu & Sanskrit manuscripts, including translations, poetry, medicine & theology, reflecting Indo-Islamic cultural synthesis. |
2017 |
Shantiniketan Archives |
Visva-Bharati University, West Bengal |
Documents relating to Rabindranath Tagore life, educational philosophy & establishment of an alternative global university. |
2018 |
Treaty of Amritsar (1846) (Proposed; under evaluation) |
Jammu & Kashmir Archives Department |
Historic document that transferred Kashmir to Maharaja Gulab Singh from British East India Company. |
2023 (Proposed) |
Collection of Indo-Sanskrit Astronomical Texts |
Indian Institute of Astrophysics & NIA |
Highlighting India historic advancements in astronomy & mathematical sciences. |
For more such articles, please refer to IAS GYAN
Sources: INDIAN EXPRESS
PRACTICE QUESTION Q. Analyze role of UNESCO Memory of World Register in preservation & promotion of ancient texts like Bhagavad Gita & Natyashastra. What are potential benefits for cultural diplomacy? |
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