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Kannadippaya unique tribal mirror mat made from reed bamboo in Kerala has become first tribal handicraft from state to receive GI tag empowering indigenous artisans & opening global markets.
| 
 Aspect  | 
 Details  | 
| 
 Product Name  | 
 Kannadippaya (literally means mirror mat)  | 
| 
 Recognition  | 
 Received Geographical Indication (GI) Tag in 2025  | 
| 
 Unique Feature  | 
 Reflective pattern; provides warmth in winter & cooling in summer  | 
| 
 Material Used  | 
 Made from soft inner layers of reed bamboo (Teinostachyum wightii)  | 
| 
 Alternate Bamboo Species  | 
 Also uses Ochlandra species (locally called Kareetta, Velleeta, Pereetta, Chitoora, Kanjoora)  | 
| 
 Tribal Communities Involved  | 
 Crafted by Oorali, Mannan, Muthuva, Malayan, Kadar, Ulladan, Malayarayan & Hill Pulaya  | 
| 
 Districts in Kerala  | 
 Primarily from Idukki, with presence in Thrissur, Ernakulam, Palakkad  | 
| 
 Associated Organisations  | 
 Unarvu Pattikavargha Vividodesha Sahakarana Sangam, Venmani   | 
| 
 Historical Importance  | 
 Once offered to kings by tribal communities as a mark of honour & prestige  | 
| 
 Key Supporters  | 
 Kerala Forest Research Institute (KFRI)   | 
| 
 IPR Advocate  | 
 C.R. Elsy, former head of IPR Cell, Kerala Agricultural University  | 
| 
 Challenges Identified  | 
 Lack of structured market for product   | 
| 
 Benefits of GI Tag  | 
 Ensures market protection   | 
| 
 Eco-Cultural Significance  | 
 Promotes eco-friendly, sustainable handicrafts rooted in tribal culture  | 
| 
 Milestone Year  | 
 Awarded during KFRI golden jubilee year marking a cultural & institutional achievement  | 
| 
 Feature  | 
 Description  | 
| 
 Product Name  | 
 Kannadippaya (Mirror Mat)  | 
| 
 Crafting Material  | 
 Soft inner layers of reed bamboo  | 
| 
 Key Bamboo Species  | 
 Teinostachyum wightii (Njoonjileetta, Njoojoora, Ponneetta, Meieeta, Neytheetta)  | 
| 
 Other Bamboo Used  | 
 Ochlandra sp. (Kareetta, Pereetta, Velleeta, Chitoora, Kanjoora)  | 
| 
 Thermal Properties  | 
 Warm in winter, cool in summer  | 
| 
 Communities Involved  | 
 Oorali, Mannan, Muthuva, Malayan, Kadar, Ulladan, Malayarayan, Hill Pulaya  | 
| 
 Craft Regions  | 
 Idukki, Thrissur, Ernakulam, Palakkad (Kerala)  | 
| 
 Historical Use  | 
 Offered to kings as symbol of honor  | 
| 
 GI Tag Awarded To  | 
 Unarvu Pattikavargha Vividodesha Sahakarana Sangam & Vanasree Bamboo Craft & Vanavibhava Shekarana unit  | 
| 
 Significance  | 
 First tribal handicraft from Kerala to receive GI tag  | 
| 
 Facilitating Institution  | 
 Kerala Forest Research Institute (KFRI)  | 
| 
 Year of GI Recognition  | 
 2025  | 
| 
 Challenges  | 
 Lack of structured market, need for youth involvement  | 
| 
 Product  | 
 State  | 
 Category  | 
 Year  | 
 Remarks  | 
| 
 Kannadippaya  | 
 Kerala  | 
 Tribal Handicraft  | 
 2025  | 
 First tribal craft from Kerala with GI  | 
| 
 Kachai Lemon  | 
 Manipur  | 
 Horticultural Product  | 
 2024  | 
 High vitamin C content  | 
| 
 Gamosa  | 
 Assam  | 
 Cultural Textile  | 
 2024  | 
 Symbol of Assamese identity  | 
| 
 Kolhapuri Jaggery  | 
 Maharashtra  | 
 Agricultural Product  | 
 2025  | 
 Traditional jaggery from Western Ghats  | 
| 
 Sitalpati Mats  | 
 West Bengal  | 
 Handicraft  | 
 2024  | 
 Made from Murta plants  | 
| 
 Thanjavur Veenai  | 
 Tamil Nadu  | 
 Musical Instrument  | 
 2025  | 
 Carnatic music icon  | 
| 
 Ladakh Apricot  | 
 Ladakh  | 
 Horticultural Product  | 
 2025  | 
 Sweet apricots, important for economy  | 
| 
 Mizo Chilli  | 
 Mizoram  | 
 Spices  | 
 2025  | 
 Noted for pungency  | 
| 
 Gucchi Mushroom  | 
 Jammu & Kashmir  | 
 Wild Edible Fungi  | 
 2024  | 
 Rare, premium variety  | 
| 
 Pattachitra Painting  | 
 Odisha  | 
 Traditional Art  | 
 2025  | 
 Mythological themes  | 
| 
 Craft  | 
 State/Region  | 
 Tribe/Community  | 
 Material Used  | 
 Specialty  | 
| 
 Kannadippaya  | 
 Kerala  | 
 Oorali, Muthuva, Mannan  | 
 Reed bamboo  | 
 Mirror like surface  | 
| 
 Dokra Metal Craft  | 
 Chhattisgarh, Odisha  | 
 Gond, Dhokra  | 
 Non-ferrous metal (lost-wax)  | 
 Tribal deities, animals  | 
| 
 Warli Painting  | 
 Maharashtra  | 
 Warli Tribe  | 
 Cow dung, mud, rice paste  | 
 Geometric motifs  | 
| 
 Toda Embroidery  | 
 Tamil Nadu  | 
 Toda Tribe  | 
 Wool cloth  | 
 Red-&-black thread motifs  | 
| 
 Pithora Painting  | 
 Gujarat, MP  | 
 Rathwa, Bhilala  | 
 Wall plaster, natural colors  | 
 Ritualistic mural painting  | 
| 
 Cane & Bamboo Weaving  | 
 Nagaland, Assam  | 
 Ao, Konyak, Mising  | 
 Bamboo, cane  | 
 Furniture, containers  | 
| 
 Bamboo Jewelry  | 
 Tripura  | 
 Reang, Tripuri  | 
 Bamboo strips  | 
 Ethnic fashion  | 
| 
 Saora Art  | 
 Odisha  | 
 Saora Tribe  | 
 Earth pigments, walls  | 
 Mythical storytelling  | 
| 
 Aspect  | 
 Detail  | 
| 
 Location  | 
 Idukki, Kerala  | 
| 
 Language  | 
 Malayalam dialect  | 
| 
 Occupation  | 
 Bamboo craft, agriculture  | 
| 
 Craft Involvement  | 
 Kannadippaya weaving  | 
| 
 Social Status  | 
 Scheduled Tribe  | 
| 
 Cultural Traits  | 
 Tribal governance through Ooru Kootams, animistic rituals  | 
| 
 GI Craft Role  | 
 Preserving traditional weaving techniques  | 
| 
 Aspect  | 
 Description  | 
| 
 Location  | 
 Idukki & Western Ghats of Kerala  | 
| 
 Language  | 
 Tamil-Malayalam dialect  | 
| 
 Cultural Practices  | 
 Rooted in nature worship, traditional medicine  | 
| 
 Occupation  | 
 Shifting agriculture, bamboo craft  | 
| 
 Role in GI Product  | 
 Weaving Kannadippaya  | 
| 
 Social Classification  | 
 Scheduled Tribe  | 
| 
 Challenges  | 
 Marginalisation, forest rights, market access  | 
| 
 Feature  | 
 Detail  | 
| 
 Location  | 
 Peechi, Thrissur, Kerala  | 
| 
 Established  | 
 1975  | 
| 
 Parent Body  | 
 Kerala State Council for Science, Technology & Environment (KSCSTE)  | 
| 
 Focus Areas  | 
 Forest biodiversity, bamboo technology, sustainable forest management  | 
| 
 GI Involvement  | 
 Technical support for GI tagging of Kannadippaya  | 
| 
 Key Contributors  | 
 Dr. Shyam Visvanathan, Dr. A.V. Raghu  | 
| 
 Other Achievements  | 
 Bamboo tech research, conservation of forest genetics  | 
| 
 Outreach  | 
 Supports tribal entrepreneurship & skill development  | 
For more such articles, please visit IAS GYAN
Sources:
| 
 PRACTICE QUESTION Q. Discuss significance of Geographical Indication (GI) tags in preserving indigenous tribal crafts in India. In this context highlight cultural & economic implications of granting GI status to Kannadippaya.  | 
								
								
								
								
								
								
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